Patrick Shiroishi I Was Too Young To Hear Silence 08/16/2019 most doggus bollockus of Big

most doggus bollockus of Big End climaxes

and SEAMOSS2 illustrates why theyre every bit as deserving of their own trophy in the noise-rock hall of fameone adorned in broken contact mics and scuffed-up scratches from one too many bloody basement shows

The sinew of the bass strings sets the pocket with ever-focused raw and relentless drive

The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells)

livestreamed performances - Previous press & radio highlights: Pitchfork

Patrick Shiroishi I Was Too Young To Hear Silence 08/16/2019 most doggus bollockus of BigFresh off a tour with The Armed, and on the heels of countless releases and collaborations, Patrick Shiroishis music is as vital and stirring as ever on I Was Too Young To Hear Silence. Where his breakout release, 2021s Hidemi, used choruses of saxophones and vocals to memorialize his grandfather, I Was Too Young To Hear Silence expands the scope of his remembrance. Shiroishis chosen instruments are alto saxophone, glockenspiel, and a cavernous