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Wiley’s first trip was to China
these portraits examine not only how African American males are perceived by others
the warped light of a fish bowl
The resulting installation renegotiates the aesthicization of ritualized action
contemporary art
Betye Saar: Black Girl's Window Wiley’s first trip was toText by Christophe Cherix, Esther Adler. Made at a critical juncture in Betye Saars (born 1926) career, the enigmatic assemblage Black Girls Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. Saar has drawn upon family history, spirituality, astrology and politics consistently throughout her 60 year career, and all are present in the prints, drawings and found material neatly
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